During the fall season in Siouxland I always look for different places to visit to keep interest in my Fall Photo Safari and to challenge those students attending. I also return to previous places because the light, season, and temperature is never the same. I have to thank students Elizabeth and Carey for being good sports and allowing me to test a newly acquired camera for its video capabilities, especially using a variable ND filter so I can control the amount of light while shooting outdoors with a 1/30 shutter speed and an f/4 aperture at 320 ISO. I didn’t have a tripod so I knew my technique was going to be off, but it gave me a chance to test out what I thought would work and be prepared to use it in a couple weeks when I attend some local Christmas functions.
During the fall I also schedule one class toward dusk and evening. This challenges some students because it screws with their knowledge of using higher ISO’s, white balance and most times a slower variable zoom kit lens. The lenses are fine, but one does need to learn to work around them.
The city recently began changing out the lighting from mercury vapor and other warm lamps to daylight LED’s.
We walk about the downtown area of Sioux City and as dusk falls into night, they have to think about these changes which can seem daunting. But I tell them to have fun and be creative. One way is working with the camera’s preset white balance. This scene was shot both using the tungsten setting for night and also using the Florescent 3 setting I have on my Fuji camera. I am not a fan of LED’s for night usage that are not warm because it plays with one’s sense of night and day. And we humans are geared for warm settings come evening. But using the Florescent setting helped me give my image a warm feel.
The next scene I believe I was shooting daylight as there was still a little sunlight left in the sky and then switched to tungsten.
And as I try to explain to students, because of a “slower” kit lens sometimes one can use that to an advantage since the shutter speed is slowed down to accommodate a f/3.5 or f/4 lens. And then creatively one enters controlled motion into the image.
And with a little practice and experimentation these tweaks become more tools in the “toolbox” as one looks at familiar images and giving them a bit of a different twist.
Jerry Mennenga
Sioux City, Iowa
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