Recently a sailor from Siouxland was laid to rest eight decades and a year after his death. Sailor Storekeeper 3rd Class Harry E. Nichols was buried in Sioux City with military honors after perishing aboard the USS Oklahoma during the Japanese attack on Pearl Harbor in 1941.
Nichols was killed along with his shipmates during the February attack and like many others, until recent technological capabilities became available he and others were not identified. But with new tests and DNA analysis Nichols was brought home to Sioux City where he had grown up and enlisted in WWII and buried next to his parents in a local cemetery.
Remaining relatives and family and members of local American Legion and Veterans of Foreign Wars posts attended the ceremony honoring his life and service on what turned out to be a nice day, as days preceding and later brought some storms rolling through the region. And for a family that never really knew what had happened to to this relative some closure and remembrance a long time in the making.
As the seasons change in Siouxland and the days slowly get longer, I find it easier to “stay up later” and try some photographic adventures. Although a friend of mine was probably disappointed that I didn’t want to shoot later, I find myself fading sooner as night approaches than I did when a younger person.
We ventured out to try our hand at photographing the blood moon, which was created by a partial lunar eclipse. I have driven countless backroads around the Siouxland region, but when it came time to decide where to situate ourselves so the moon create a nice backdrop to something in the foreground, I drew a blank, and settled for a stretch of roadway and hillside.
But after an hour of shooting I found myself fading faster than the setting sun. I told my friend to continue shooting and I didn’t mind staying out late, but I decided to just enjoy the moonrise as it got darker than to try and photograph it in the night sky.
It was amazing to see though. And while there are no European cathedrals in rural Siouxland to utilize in creating an image of note, there is always next month to maybe plan a little better and find a place that would visually create a better scene. Time will tell.
When I traverse various parts of Siouxland while driving about I find that I see fewer and fewer older wooden barn. The rustic look, even in disrepair, hail to an era that has for the most part passed. Farmers or those farming ( industrial operations) no longer erect the wooden structures that at one time housed animals, harvested crops and machinery. As the bigger is better mantra continues to envelope America and it’s ideal of business the small farmer also has disappeared and the structures now that house equipment is metal or fiberglass. More cost effective, less maintenance and all of those things that attribute to the bottom line.
But I miss seeing the structures. And most times I happen upon them at the wrong time of day while out driving around. Maybe seeing them in passing. Sometimes stopping, sometimes not, depending on if I am time constrained to arrive someplace.
The rustic nature appeals to my visual sense, but the use and disuse and decay speaks to another passing of an era where form and factor are no longer valued. That thought could be addressed to a lot of areas and state of affairs these days. When at a small time museum a few years ago a docent was showing school children and older wall phone which had the spin knob to wind it up and get a connection along with the ear piece held to one’s head and the extended speaker you had to lean into to speak with the operator, as well as the desk top model with the rotary dial.
The children had no idea what the two items were, and were quite astonished when they learned that what they carried in their pockets and took for granted was large, non moveable and didn’t have a screen. Advances in technology is marvelous with many wonderful inventions, but sometimes I wonder at what loss does this occur without the accompanying history that brought the state of humanity to this next level of achievement and the effort to get there.
With the migrating waterfowl like the American White Pelicans passing through Siouxland, I sometimes get confused about what birds find a home in this area and those that are passing on to another destination. Like the majority of Canada geese that use Siouxland as flyover country, but others call it home.
As I occasionally check various locations around the area to see who’s hanging out, sometimes I am delighted, other times disappointed when I find nothing. But then there is another day, and these critters like we humans are dealing with roller coaster weather than runs cold, then hot, dry, then wet, which probably interrupts their travels as much as it does our daily lives. And some of us are not traveling as far.
Wishing these critters a safe journey and fair winds as they journey to their summer destination.
Deciding how best sometimes to represent a scene found in Siouxland, or anywhere is dependent upon the person. And sometimes the representation doesn’t quite fulfill the artist’s or photographer’s intent.
Photographing moving water with a slow shutter speed, during daylight without a neutral density filter doesn’t quite capture the scene as well as very early morning or early evening when using a slow shutter speed would be more beneficial. But it doesn’t hurt to try, and practicing seeing and the skills and mechanics one has at hand is always a good thing I believe. Practice makes one better at achieving results and seeing in the first place. Of course, being prepared is helpful. But I don’t pack the suitcase when I go out photographing and walking. A couple lenses and a camera body and I utilize what I have at hand. Grateful when something works out, aw shucks when it doesn’t.
Of course, there is always tomorrow and another walk. I might not encounter the same scene with the same elements and lighting, but that’s the beauty of taking walks and exploring.
Recently I attended the 2022 annual Regional Art Show held at a gallery and theatre on the campus of Northwester College in Orange City. I don’t often enter juried shows since I seldom am ever selected, and assume my years dedication to editorial content isn’t what catches the eye of artists who generally select images for these types of shows. And that is fine. Lord knows I could never had made a living if I relied on clothing and feeding and shelter from the sales of prints I have done over the years.
I do immensely enjoy seeing other artists’ work, whether photographic, paintings, photography or sculptural (wood and ceramic). The time and patience these folk put into their work is exceptional. I have heard some argue that “snapping a photo” is not so unique and there is little work involved.
Although I have also read and believe, where an artist works with a blank canvas and then adds elements to create their vision, the photographer starts with everything visible and then must work to eliminate those distracting elements to just retain the visual items he/she wants a viewer to see within their work.
When I can I like to visit local universities and wander the art department hallways looking at student work and also museums within and nearby Siouxland to view and admire and maybe attempt some form or representation of the seen work. When “creating” art it would seem that folk must pre-visualize the end product, although sometimes that changes in the course of creating the work. Stone or marble sculptures or those that work with wood sometimes day once they began and the “stone speaks to them” what was visualized changes at the work progresses.
But no matter the medium, the intent generally is clear and even with photographs, it is not merely a snapshot taken, but a thought out image possibly with some post processing involved to achieve a final result the photographer wants to share with his/her audience.
An individual’s interpretation of the world. Whether that be a broader world, or a self-conceptualized version of the artist’s world. There is a lot in the creating, but the end result is in the sharing.
There are a number of wildlife refuge areas to be found in and around the Siouxland area. Visiting Little Sioux Park recently I thought it lucky to see some Trumpeter swans at the small lake there. Stealthily trying to get out of my vehicle to photograph these creatures I realized it was odd, they weren’t flying away, but rather coming toward me.
It seems the swans at the park all have a damaged wing, and so live there. Enjoying a quiet area, free of predators, except maybe humans, and greeting park visitors maybe in the hopes of gaining a treat.
The swans ambled slowly but without hesitation up the fence line to greet the new comer and check them out.
As I’ve learned more about “birding” and being of aware of the creatures on my outings to local parks and preserves, sometimes I am amazed at the diversity I see within a small area and the numbers and types of birds there. And I know I am only scratching the surface of getting photos and seeing these critters. Others who post information while out have a list that is sometimes 15-20 species or more long. I am not quite, if ever, there.
And by no means are these birds exotic and flashy themselves, although my awareness was mostly of robins and sparrows, and occasionally a raptor or hawk of some kinds.
And of course there are those cute, non aviary types one runs across who are determined not to be disturbed while trying to finish a meal. And of course I don’t blame them as those pesky paparazzi photo types walk by.
The creatures blend in so well and are most times too quick to photograph. I have learned anew the value of patience and perseverance. And of course the the usage of a digital camera that allows the deletion of many, many images with birds within thickets that only I know are there. As I tell students, “If you have to tell me about the great deer photo while showing it to me, maybe then one should try again. Oh, that small speck? Marvelous!”
It happens to the best of us. And with practice it can get better. But it’s also nice just being outdoors without a heavy coat, gloves and stocking cap along with hand and feet warmers. Although the wind gusts have persisted well into spring. But warmer months ahead and the opportunity to find and photograph more of these winged creatures.
Sometimes entertainment in Siouxland is not a flashy affair. Big named artists visiting a local arena to play some hit or at a festival. A recent trip to the Plymouth County Historical Museum in Le Mars saw the continuation of the Art Pahl-Peter Boe accordion festival, after a hiatus of a couple of years due to the pandemic, like many other normally scheduled activities.
Many of the artists played traditional songs that accordion players play, especially with the attending crowd in mind. The music was nice though and made for a pleasant afternoon in a local museum. And a chance to walk through the place again to see what else was new after a couple of years.
The players all knew one another as did most of those in attendance. There was a short remembrance of some former players who have passed in recent years and festival’s emcee played the accordion of a former player who participated in the festival for many, many years.
Not too many flashy performances, but one player did get a bit theatrical with his 55 pound instrument (which he said weighed 50 pounds the year before-age has that affect).
And those in attendance were appreciative of the folk playing and giving up a Sunday to perform. Sharing their talent and love of an instrument that not so many really appreciate for have possible even heard before. Some Sundays are meant to be a quiet, albeit, song filled day, to enjoy.
While recently visiting the Sioux City Railroad Museum in Siouxland I noticed a number of changes that included outdoor performance spaces. The Railroad Museum has begun shifting its focus the last few years to sharing history about the former railroad repair facility as it continues to excavate and learn more about this important juncture and service provided to the rail industry.
According to a statement on the museum’s website: “The 31.61-acre Milwaukee Railroad Shops Historic District encompasses the former Sioux City Engine Terminal and Car Repair Shops of the Chicago, Milwaukee, St. Paul and Pacific Railway.
The complex was constructed between 1916 – 1918, opened 1918 by the railroad’s motive power and engineering departments. The facility served as a “divisional” terminal for servicing steam and diesel locomotives and repairing rail cars for 65 years until its closure and abandonment in 1981, when the railroad was insolvent and in receivership.”
Within the last year local actors have been portraying actual characters and people who formerly worked at the facility. The actors perform short monologues which reference their particular job and connection to the service facility or the railroad industry. Although, as it occurred during the Great Depression of the 1930’s, an occasional hobo shows up and talks about “riding the rails” during that time period while looking for work and basic survival. Life on the road isn’t always an influencer’s dream as the depression era affected hundreds of thousands if not more people.
So it will be interesting and fun to to see the new performance spaces function as well as some “new attractions” mimicking aspects of a railroad depot stop anywhere U.S.A.
I live in the Siouxland area that encompasses a wide swatch of land in northwest Iowa, northeastern Nebraska and southeastern South Dakota. The people that inhabit this area are generous folk and your basic honest, Midwestern people you like to have as neighbors. I explore the area and share observations, mostly photographic, sometimes through video, and and short text. All images and video are copyrighted material of the author.
Jerry Mennenga, Sioux City, Iowa
jerrylmennenga@yahoo.com
lostinsiouxland 